Sunday, October 19, 2008

Concordia ~ Follow The Bliss

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This illustration marks the halfway point in this project - Illustration 22 out of what will be a total of 44.

You'd think I'd be elated and beaming with accomplishment. You'd think I'd be feeling mighty proud of myself right about now for getting this far in what I've set out to do.

You'd think.

But rather that stating I feel "Concordant" as the illustration of Concordia suggests I might, I've placed my mood status on my MySpace page as "Saturnine" today. It seemed a fitting description of how I feel - the day after wrapping up Illustration 22.

Let me try to explain...


Both Saturn and Concordia are Roman gods of antiquity. Both also have Greek counterparts... but let's talk about Saturn first.

The Roman god, Saturn

In Greek mythology, Saturn was known as Kronos, the youngest of five titans that overthrew their father, Ouranos. In turn, Kronos was overthrown by one of his sons, Zeus, who then became the ruler of the gods of Mount Olympus in the Greek pantheon. Zeus banished his father for eternity within the confines of Tartarus, a deep, gloomy prison located in the Greek underworld, Hades. Tartarus was probably the closest thing the Greeks had to what Christians later described as their concept of Hell.


Saturn/Kronos is said to be a god who sows the seeds of life but also the harvester of the crop. In essence, he is connected to the concept of Time as it pertains to human life. He is often depicted wielding a scythe. The archetype of the Grim Reaper has it's ties to the mythological figure of Saturn/Kronos.


Concordia's Greek counterpart, on the other hand, is a goddess called Harmonia. And whether she be called Concordia or Harmonia, she is the goddess of bliss, joy of life and living, agreement, understanding, harmony as well as marital happiness. The Latin word Concordia literally translates to "in harmony with one's heart".

Concordia as the caduceus, itself

She is often depicted holding the caduceus, a symbol adopted by the North American medical profession, that depicts two serpents entwined around a winged rod and forming a double helix. It's the emblem of the archetype of The Herald or The Messenger - and Concordia is, indeed, a Messenger. She is also often shown with a patera, a shallow ritual bowl that, when filled with water, is said to represent the sustenance of life.

The Fleur-de-lis is modeled after the lily

In the illustration, she holds a lily and lilies surround her. This flower is often seen as an emblem of purity and innocence of the heart and, like the Fleur-de-lis, is a symbol of, yet again, heraldry. In my mind, the lilies that surround her are yellow, indicating sunshine, joy and happiness.

Joseph Campbell

When contemplating the energy of Concordia while I was working on her this week, three simple words run through my mind - Follow your bliss. These three words are part of a lengthier statement that comprise a concept coined by the revered professor and lecturer of comparative religions and mythology, the late, great Joseph Campbell:


Campbell also wrote, "If you follow your bliss, you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living... If you are following your bliss, you are enjoying the refreshment, that life within you, all the time."

I'm sure you're probably sensing some conflict here. If, while working on the Concordia illustration all week long I've heard the mantra "Follow your bliss" resounding over and over again in my head, why on earth would I be feeling Saturnine - gloomy, morose, glum - today rather than vibrant, joyful and self-satisfied? Why am I not all blissed out?

Well, for one, it's taken me five and a half months to get to the halfway mark. When I started this project I'd been averaging two illustrations a week. It was all I wanted to focus on - and it still is. By my early calculations, I expected I would be done with this project and ready to send it off to publishers by the end of 2008.

Yet life does not run in a straight line and numerous things crop up from one day to another that require one to give their focus and energy to in order to maintain some sense of order. There are responsibilities and obligations to be met - whether we want to meet them or not. We know we either should or have to in order to maintain a life that's functional and balanced. And sometimes we get distracted or try to cram too much into our lives, thinking we can do it all and do it all right now. Sometimes, suddenly, life can feel confining and cluttered with things we didn't expect we'd be dealing with or that we want to give our attention to but in order to do so, it requires a reallocation of our time and energy.

Over the last five and a half months I've encountered all of the above. Some of these things, I realize, there isn't much I can do to foresee or prevent. Others, however, are things I've allowed - and then I feel frustrated because I start to feel I don't have enough time to create and, well, to follow my Bliss.

We all have different ideas about what our personal sense of bliss means to us. Our definitions of the concept is just as unique and varied as each and every one of us are. My personal definition bliss is this: to be a nun of one in my own convent and create.

I've always been a solitary soul and I love my solitude. There's nothing I enjoy more than being at home, sitting on my living room floor surrounded by my cats and hunched over a piece of illustration board with either a pencil, pen or paintbrush in my hand. This is my passion. I have said for years, I have no desire to marry another person because, quite simply, I am deeply devoted and married to my work. The four years I worked strictly out of my home as a freelance illustrator were four of the best years of my entire life, even though I was working on illustration projects that weren't my absolute ideal. I hardly left the house and yet I was deeply in love with my life. I seldom saw anyone other than my immediate neighbors, the mailman, the UPS guy, the folks at my local grocery store or local clients. Most of my interactions with friends and family were via e-mail or phone with only the occasional meeting for coffee or dinner or the holidays to lure me outside. What can I say? I'm a natural recluse, a modern day Emily Dickenson if you will, and being a creative recluse is my absolute bliss. And the whole point of this and the several other projects I have in mind to do afterward, is to pave the way to return to this state of personal bliss.

But the longer it takes me to finish this project, the longer it's going to take to achieve that.

So while I was working on this image of Concordia, featuring my beautiful, vibrant and inspiring friend Sandy - and working on it while I had a case of the flu and yet still had to go into the office anyway due to a limited amount of sick days left - all these thoughts kept floating through my head.

My idol: Illustrator, Trina Schart Hyman

Time... I feel time is escaping me. Ever since my all-time favorite illustrator and personal idol, Trina Schart Hyman, died in November of 2004, I was suddenly confronted with the reality that there would be no more work from her. Anything left undone and undrawn died with her when she left this world. Her life's work was now bookended. I actually mourned her loss far more deeply than I did my own mother who also passed away from complications due to breast cancer 7 months later. Her life's work was that meaningful to me - and still is. I collect her books and still use them as my study guides.

You see, I found my first "Trina book" when I was three years old in my pediatrician's office, of all places. I found numerous other titles she had illustrated a the public library. Her artwork inspired me so much that when I was 8 years old I decided I was going to grow up and be "the next Trina" - but at the age of 35 when she passed, I felt I'd still done nothing that was truly in alignment with that desire and conviction. Suddenly this little nagging voice started to whisper to me that my time was running out and if I'm going to accomplish what that little girl dreamed of nearly 3 decades ago, I better damn well get my ass in gear and get started.

Still, I feel as though I never have enough time to do what I really want to do. I feel I should be further along on this project by now. If I'm going to achieve my goal of returning to freelancing from home within a year to a year and a half so I can do more and bring into being all the ideas that have been clamoring to be given life in the manifested world, I'm way behind schedule. The longer this project takes me to finish, the longer it'll take me to be where I want to be, doing what I not only really want to be doing but doing what I feel I should be doing with my life and living that little girls' dream.

It's time to re-prioritize. It's time to get serious about the message of Concordia. I suppose it's no coincidence she's the one who came through as Illustration 22. I needed to hear what she had to say right here, right now and I came away with the realization that it's time to get serious about following my bliss now that I've gotten refocused on what it truly is. I suppose I must also keep in mind that I'm "following" that bliss of mine - which means it IS a journey as well as a destination and to do as my friend Tawana says and "simma daan nah", relax and not get all in a bunch about where I'm not just yet but will arrive at soon enough and all in my own right timing.


And if you aren't following your Bliss or feel you've gotten off track somehow, maybe Concordia has something to impart to you, too.

Mama Quilla ~ Moon Mother Of The Inca

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More information to come soon...

La Befana ~ Seeker Of The Child Of Light

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More information to come soon...

Theotokos ~ Mother Of The Child Of Light, Mother Of All

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More information to come soon...

Erzulie Freda ~ Lady Luxury Of Haiti

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More information to come soon...

Wednesday, September 10, 2008

Skađi ~ The Beauty of Winter

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More information to come soon...




Sunday, August 24, 2008

Green Tara ~ Bodhisattva of Enlightened Action

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Green Tara from the sketch to the final inked version...




More information to come soon...

Thursday, August 14, 2008

Cerridwen ~ Keeper Of The Cauldron

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More information to come soon...

Saturday, August 9, 2008

My Muses ~ The Real Life Goddesses

Here are several other beautiful women - plus one mini biscuit -who have allowed me the honor of illustrating their likeness as goddesses for this book - although I won't necessarily be illustrating them in the order they appear here.

Thank you all, my lovelies!! 

And for those of you who might be all in a tittery bunch over the picture I may have chosen to post here - don't worry! These aren't necessarily the pictures I will be using for the actual illustrations.







The other goddesses on the list - which are subject to change since they seem to do that from week to week - are:

Hine-Nui-Te-Po - Maori
Erzulie - Haitian
Inanna - Sumerian
Isis - Egyptian
Kali - Hindu
Dewi Sri - Bali
Kwan Yin - Buddhist
Green Tara - Tibet
Mama Quilla - Incan
Uzume - Japanese
Sedna - Inuit
Gnowee - Australian Aboriginal
Al-Uzza - Arabian
Tlazolteotl - Aztec

Friday, August 8, 2008

Anat ~ Canaanite Warrior Goddess Without Ruth


As in Ruthless. :)

More information to come soon...

Saulė ~ Goddess of All Good Things Under the Baltic Sun



More information to come soon...

P'an Chin Lien ~ Mistress of Chinese Mistresses


More information to come soon...

Bastet ~ Twinkle Toed Egyptian Cat Goddess


More information to come soon...

Nemesis ~ The Inescapable One



More information to come soon...

Sarasvati ~ Hindi Mistress of the Arts



More information to come soon...

Yemaya ~ Yoruban Queen of the Sea


More information to come soon...

Rhiannon ~ Divine Chanteuse of Healing Songs

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I chose my beautiful and talented cousin, Hillary, to be the representation of the goddess Rhiannon because she asked me if I'd design a tattoo for her earlier this year.

Once upon a time when I was 20 I'd actually apprenticed for about 6 months with a tattoo artist. I'd not really wanted to become a tattoo artist but my boyfriend at the time, Sean, had a friend who knew this guy who had trained with Keri Barba of Twilight Fantasy Tattoo Parlor in Anaheim, CA, and supposedly he was willing to train me. Sean and his friends were far more excited about this prospect than I was... but at the time I wasn't really clear on exactly what I wanted to do with my life yet so I just shrugged and said, "Okay, I guess."



John, my teacher, halted my lessons after about 6 months when he insisted I get a tattoo and I insisted in turn that there was nothing I wanted so permanently on my body to make me make such a choice... other than a small, light blue crescent moon lying on it's back and about the size of a dime set in the space on my forehead just above my eyebrows. Those of you who have read Marion Zimmer-Bradley's epic The Mists of Avalon will understand why. At the time, however, no reputable tattoo artist would ink anything on a body from the neck up - and John was no exception. Thus ended my illustrious tattoo career... and thankfully spared me from a lifetime branding smack in the middle of my forehead!

But I did learn how to design things in a way to make them tattoo friendly and Hillary's request was not the first I've received over the years since then. There are, in fact, a good two dozen or so folks out there in the world walking around with my artwork on them - which I find kinda neat.

Anyway, Hillary said, "I don't really have much of an idea in my head as much as a feeling about what I'd like, if that makes any sense. I'd like smallish birds, swallow-like minus the forked looking tails. I'm going to put them across my back, but not low, about right below where a bra goes across, one in the middle and one on each lat muscle. I haven't figured out how to have them sitting, maybe on a thin branch or something. I'd like the middle one to be just sitting and the outer ones maybe with wings spread like they're about to take off. I'm hoping for a dignified feeling. I'm very confident that your creative ability will bring out the idea that I'm going for, no matter what you come up with."

Her vision was inspired by the Three Birds of Rhiannon and the Fleetwood Mac song of the same name.



A bird that is not mine...
Three birds that belong to her
One emerald-green,
One snow-white...
One golden, flashing like a
Sunbeam through the night...
One golden, flashing like a
Sunbeam through the night...

The first "Rhiannon" illustration, done in 1992

Most people are familiar with Fleetwood Mac's Rhiannon but perhaps not so familiar with the other song about her three birds. I happened to be one of them. As for Rhiannon - the goddess - I was very familiar with her. In fact, years ago in my very early 20's when I used to contribute regularly to SageWoman magazine - a magazine that focused on various expressions of the women's spirituality movement - I'd done an illustration of her for an article. I knew she had a strong connection to music and horses but still, I was totally unaware of these three birds. Thus, you won't see them in the early drawing done back in 1992.

The British Isles with Wales highlighted in green

Rhiannon is a Welsh goddess of ethereal beauty with strong Celtic ties (and may I just add here since this is one of my quirky little pet peeves: the word Celtic is pronounced Kel-tic with a hard K sound and not a soft S as so many Americans seem think) and is featured in the famous Welsh collection of mythological stories, The Mabinogion. Her name is a variant form of the Welsh word Rhiain, meaning "maiden", and is also derived from the Brythonic goddess, Rigantona, and means "Great Queen" - and that's exactly what she was: a great queen of the fairies. She loved her horses and her dogs - a pack of Welsh border collies. She rode so wildly and swiftly upon her horses with her dogs easily keeping pace that it was said no man, no matter how fast he was said to be, could keep up with her let alone catch her.


Rhiannon is a goddess closely associated with the night and the moon, thus she's an instrument of change, movement and magic much in the same way the moon is. Her color are silver, white and blood red. Jasmine is her sacred flower and moonstones are her precious gems.

She was said to be a great healer - and not just of the body but of the wounded heart and soul. Like all great healers, she endured great suffering of her own so her compassion and insight into such matters was boundless. She gives us the gift of tears, forgetfulness (to aid in the healing process) and humor to bear what may seem unbearable. She is also a goddess who brings great joy - because sometimes the only way to know what something truly is requires we experience all that it is not. Sorrow and joy are two sides of the same coin.

Rhiannon's Three Birds

And, of course, she had three magical birds. The Welsh called them the Adar Rhiannon - Birds of Rhiannon. It was said these marvelous birds could revive the dead, restore life, heal all ills but also lull the living into eternal sleep with their song. And when her song is joined with that of her magical birds, it is said the song is so beautiful it can heal all sadness and pain.

A very realistic statue of "The Fine Lady" at Banbury Cross

In her maiden aspect, Rhiannon is associated with a white horse, and depicted as finely dressed in gold. The famous nursery rhyme, Banbury Cross, is actually attributed to her. Although nursery rhyme books recite the words differently now, the original rhyme is as follows:

Ride a cock horse to Banbury Cross
To see a fine lady on a white horse.
With birds at her shoulders
And bells on her toes,
She will have music wherever she goes.


The story goes that Rhiannon chose to fall in love and marry a mortal king by the name of Pwyll (pronounced Pow-ell) and together they had a son whom they named Pryderi. Not long after the child's birth, he vanished in the night while Rhiannon and her ladies-in-waiting slept. A nursemaid was supposed to be watching the boy but she had fallen asleep as well. Fearing dire consequences for slacking off while on duty, the nursemaid took a newborn puppy from among Rhiannon's dogs and killed him. She smeared it's blood all over Rhiannon's hands, face and clothing.

When the household awoke the next morning all eyes fell on the bloodied Rhiannon and she was immediately accused of not only murdering her own son but eating him as well. She was, after all, not of the earthly world and thus an outsider and, like most outsiders, considered different and feared by many in the kingdom. Consensus felt Pwyll should have married someone "of his own kind".

King Pwyll, however, was despondent at the loss of his son and even more aggrieved that his beloved and much adored wife was the one accused of being responsible for his death. He could not bring himself to have her executed so, as punishment Rhiannon was made to sit upon a horse-block outside the castle walls and offer all passers-by a ride on her back for a duration of seven years.

Rhiannon was devastated at the loss of her son, too, but could find no way of proving she'd not been the one to murder him. And so, without any defense, she had no choice but to endure her punishment. Being the great and dignified queen she was, she bore her task without complaint. She bore her humiliation with such grace and dignity despite her overwhelming grief that she was said to have moved even the most hardened of hearts of her adopted countrymen.

All the while, Pryderi was alive and well and being raised by unknown persons. When her seven year trial came to an end, he reappeared at the castle gates. He had no explanation for where he'd been but Rhiannon obviously didn't care. Her son was alive and with his return, she was vindicated and absolved of the crime she'd been falsely accused of. More importantly to her though was that she had her beloved son back and safe in her arms once again.

Statue attributed to both Rhiannon and Epona, another Celtic horse goddess

Thus, Rhiannon is considered to be an archetype of understanding and compassion. She understands hardship and pain, separation and loss. Yet she also teaches that even when we are wronged we can find a way to not only forgive ourselves and others but also to remain true to ourselves by loving and honoring the truth of who we truly are within - even when it seems the world is against us.

In my research I ran across what I considered to be a moving statement, written as if Rhiannon were speaking them herself and given as food for thought:

All my life, I've heard about the wonderful friendships women have. I'm a woman. But I'm probably not your friend. Let me tell you who I am...

I am the woman you will tell your troubles to in the line at the store...the one who will listen and empathize. But then you will smile, and maybe say thanks, but never ask my name.

I am the one who will walk out of the school with you and two other moms after a project in our children's classroom, and will hear you invite the other moms over for lunch, but will not be included.

I am the one who will hear all about the great scrapbook retreat you and another woman went to, and how you can't wait to do it again. But you will never ask me if I would like to join you.

I am the one you will tell all about your big, crazy Thanksgiving family dinners, and maybe you'll even ask to borrow a recipe or a baking pan, but even though I have no family within a thousand miles, you will not invite my child and me to join you because after all, we're not family.

I am the one with the book you need to borrow, the name of the doctor or Realtor you want to find, the one with information on the new restaurant, places to go on your vacation, or the website to help with your child's project. I am the one who can pick up your child when you're running late, pitch in when another mom didn't show for the gift wrapping table at the school holiday market, or hold your hand when the doctor's news is scary.

I am the one who will ask you over to lunch, only to have you cancel... twice. I am the outsider, the not-from-around-here, the stranger in your midst. I am educated, well dressed, well mannered, and literate. I am a woman, a mom, a neighbor But I do not go to your church. I do not celebrate the same holidays you do. I was not born here. I did not grow up here. I am a woman with no friends. You tell me of the wonders of women's friendships. But you never see my tears. Do you even see me?

-Lynn, a subscriber to The Goddess Path

How many of us have been this woman? How many of us have been guilty of doing this to others?

An ancient Welsh coin with the image of Rhiannon imprinted upon it

Rhiannon also teaches us how to work with doubt and to doubt someone or something when our instincts are giving us warning signals to do so - and that this is healthy (and puts me in mind of Gavin de Becker's wonderful book, The Gift of Fear). To spend precious time doubting oneself is self-negating and unhelpful. Rhiannon teaches us that the best way to work with self-doubt is to turn it into self-questioning and not allow it to erode your self-esteem and Sacred Self. Allowing yourself to question rather than doubt is to allow the answer you need to reveal themselves so you can continue on your path to wholeness and happiness once again.

There are two festivals connected with Rhiannon. Gwyl o Rhiannon - Feast of Rhiannon - is celebrated at sundown on December 2nd. The other, Rhyfeddod Lleiaf o Rhiannon - The Lesser Mysteries of Rhiannon - is celebrated from sundown on March 3rd through sunrise on March 6th. Both of these holidays are still celebrated by modern day Welsh witches and pagans.

Self portrait of my cousin Hillary (modified a little by moi for the blog). She's 11 weeks pregnant here with her second child, due in early 2009

Just a few pieces of some of Hill's fantastic photography. I told you she was talented!!!

Hillary's affinity with Rhiannon's birds was not the only reason why I asked her if she'd allow me to use her likeness for this illustration. Like Rhiannon, Hillary is a beautiful but intense person and she's endured her share of sorrows of the heart and soul over few years of her young life. Yet it has been my observation that she's not only borne them with grace and dignity but she has turned them around and used them as tools for her own personal healing. They have served to make her more compassionate, more loving, more present and more appreciative of those in her life and all those she loves. I think, too, that she's found a way to incorporate these qualities in to her work as well. 

Hillary is a very gifted photographer and her work is very evocative and moving... and a little ethereal too... as if she, herself, is of the realm of some other world and has managed to capture glimpses into her reality for the rest of us to experience via the expertise of her dreamy, shuttered lens.

Thank you so much, Miss Hill, for channeling your amazingly beautiful energy into this piece! I love ya muchly!! And I promise as soon as this project is done, you will have your beautiful birds. :)